In the official trailer for Relay, Bleecker Street teases a high-stakes psychological thriller led by Oscar-nominee Riz Ahmed as Tom, a professional negotiator known as a “relay.” His job: neutralize hostile ransom deals with poise, precision, and zero emotional involvement. But when his next job pairs him with a mysterious client played by Lily James, the mission becomes far more personal—and far more dangerous—than he anticipated.

Directed by David Mackenzie (Hell or High Water), the trailer positions Relay as an elegant fusion of slow-burn suspense and international intrigue. We watch as Tom maneuvers between luxury hotels, surveillance rooms, and darkened corridors, his calm unraveling with each cryptic twist. As James’ character enters the frame, layers of misdirection and double-blind allegiances begin to surface. Her performance walks a fine line between victim and accomplice, while Ahmed channels quiet intensity into a man trained to suppress every instinct—except survival.

Visually, Relay feels composed and quietly paranoid. The cinematography echoes the cool tension of Michael Clayton or Tinker Tailor Soldier Spy, favoring greyscale interiors and cold cityscapes. The orchestral score pulses beneath the surface, building dread without spectacle. The trailer suggests a film more interested in dialogue and mind games than explosions—a cat-and-mouse story told through whispers, glances, and withheld truths.

Bleecker Street will release Relay in select theaters starting September 6, 2025.

The yellow brick road leads to a reckoning in the newly released trailer for Wicked: Part Two – For Good, the climactic second chapter of Jon M. Chu’s adaptation of the Broadway phenomenon. Picking up where Part One left off, this installment promises soaring stakes and deeper emotional currents as Elphaba (Cynthia Erivo) embraces her destiny, Glinda (Ariana Grande) grapples with legacy, and the land of Oz teeters on the edge of revolution.

Set to the haunting reprise of “For Good,” the trailer delivers both visual spectacle and a more solemn emotional weight. We see Elphaba’s transformation into the so-called Wicked Witch of the West become complete—black hat, broomstick, and all—as she flies into legend. Grande’s Glinda, meanwhile, steps fully into her public persona, tasked with shaping the narrative that history will remember. Sweeping shots of the Emerald City, an uprising of Ozians, and chilling glimpses of Madame Morrible (Michelle Yeoh) and The Wizard (Jeff Goldblum) point to a final showdown drenched in political manipulation, personal sacrifice, and magical fallout.

Jon M. Chu’s direction brings more gravitas this time around, matching the intimacy of the musical’s final act with the grandeur of a Hollywood fantasy epic. Newcomers like Jonathan Bailey as Fiyero and Marissa Bode as Nessarose return to complete their arcs, while lush costume design and thunderous orchestration hint at a finale filled with both heartbreak and catharsis.

Wicked: Part Two – For Good hits theaters November 26, 2025, closing out the saga that redefined Oz for a generation.

Prime Video has unveiled the first official teaser for The Terminal List: Dark Wolf, a gritty and brutal expansion of its hit military-conspiracy series. Spun off from the original Terminal List starring Chris Pratt, this new installment follows fan-favorite character Ben Edwards—played by Taylor Kitsch—in a standalone origin story filled with betrayal, bloodshed, and black ops reckoning.

Clocking in at just over a minute, the teaser is terse, muscular, and drenched in tension. With a brooding voiceover and flashes of kinetic violence, it sets the stage for a darker, more psychological chapter. Kitsch, stripped of Navy SEAL idealism and grappling with internal war wounds, is shown navigating shadowy corridors, desert landscapes, and clandestine kill missions. We glimpse glimpses of CIA operatives, shattered alliances, and covert operations with unclear allegiances—all backed by a growling synth score and low-lit cinematography that mirrors his descent into moral gray zones.

Notably, Dark Wolf appears more intimate and internal than its predecessor, trading large-scale gunfights for something moodier and more cerebral. There’s a heavy emphasis on psychological warfare, loyalty, and trauma, positioning Ben Edwards not as a sidekick but as a haunted protagonist whose choices ripple into the broader universe of The Terminal List.

Created by Jack Carr and executive produced by Chris Pratt and Antoine Fuqua, The Terminal List: Dark Wolf premieres exclusively on Prime Video September 5.

New Line Cinema has released the second official trailer for Weapons, the highly anticipated follow-up from Barbariandirector Zach Cregger. Leaning even deeper into psychological horror and narrative experimentation, Weapons assembles an ensemble cast led by Pedro Pascal, Renate Reinsve, and Charles Melton in what appears to be an ambitious, time-bending exploration of dread, grief, and violence across generations.

The trailer begins with disjointed snapshots: a body discovered on a rural highway, an anxious teen in a suburban home, and a fragmented monologue about “echoes that don’t fade.” As with Barbarian, Cregger plays with chronology and shifting perspectives. Pedro Pascal appears as a grieving father trapped in a Kafkaesque loop of paranoia. Renate Reinsve (The Worst Person in the World) seems to anchor another thread, possibly linked to a suburban conspiracy. Meanwhile, Charles Melton’s character—bloodied and shaking—repeats the line, “They’re still watching,” as static overtakes the screen.

Visually, the trailer blends shadowy interiors with stark outdoor dread—small-town Americana rendered uncanny. There are flashes of surveillance, cult iconography, and what seems to be a supernatural presence haunting the timelines. The tone echoes films like It Follows and Donnie Darko, but filtered through Cregger’s distinct blend of social unease and genre deconstruction.

The final moments of the trailer deliver a chilling crescendo: a child whispering into a walkie-talkie, a man vanishing mid-frame, and a series of home videos that suggest whatever Weapons is, it’s also deeply personal. With a screenplay shrouded in secrecy, early buzz indicates that this could be Cregger’s breakout as a singular voice in horror—an ambitious swing that may redefine what mainstream genre films can accomplish.

Weapons premieres in theaters September 27, distributed by New Line and Warner Bros.

Paramount has released the official trailer for Roofman, a darkly comedic and suspense-laced true crime drama directed by Derek Cianfrance (Blue Valentine, The Place Beyond the Pines). Based on the unbelievable real-life exploits of Jeffrey Manchester, the film stars Channing Tatum as the charming yet troubled ex-Army Ranger who made headlines by robbing McDonald’s restaurants via their rooftops and hiding out for months in a Toys “R” Us undetected.

The trailer opens with an aerial shot of suburban Americana, underscored by a sly voiceover that hints at Jeffrey’s double life. After a string of inventive robberies, he lands behind bars—only to escape and take up residence inside a toy store, navigating its air ducts and surveillance systems like a suburban phantom. But his criminal ingenuity takes an emotional turn when he meets Leigh (Kirsten Dunst), a single mother whose warmth draws him toward a second chance at life—one complicated by the lies he must keep buried.

As Jeffrey’s world begins to unravel, Roofman plays with tonal shifts: part cat-and-mouse thriller, part offbeat romance, and part character study of a man trapped between reinvention and recapture. The film’s visual style blends 2000s mall culture and late-capitalist malaise with Derek Cianfrance’s signature intimacy—lingering close-ups, handheld tension, and a melancholy hue that sharpens the surrealism of it all.

Rounding out the cast are Shea Whigham as the obsessive detective on Manchester’s trail, and young newcomer Will Riggins as Leigh’s son, who slowly uncovers the truth about his mother’s new boyfriend. With a screenplay that layers suspense with emotional resonance, Roofman offers a haunting look at loneliness, reinvention, and the absurdities of the American Dream.

Premiering August 29 in select theaters before expanding nationwide through Paramount Pictures.

A24 has unveiled the first trailer for Eddington, Ari Aster’s latest and most grounded work to date. Known for Hereditary, Midsommar, and Beau Is Afraid, Aster trades existential horror for real-world unease in this politically charged Western set during the early days of the COVID-19 pandemic. Set in the remote town of Eddington, New Mexico, the film follows Sheriff Joe Cross (Joaquin Phoenix) and Mayor Ted Garcia (Pedro Pascal) as their opposing worldviews push the community to its breaking point.

From its opening moments, the trailer leans into tension and visual symbolism. A red-lit stare-down between Phoenix and Pascal through a rain-streaked window sets the tone—one of suspicion, division, and moral paralysis. Darius Khondji’s cinematography captures the stillness of lockdown life with arid palettes and hauntingly empty public spaces, while Bobby Krlic and Daniel Pemberton’s score adds a layer of ambient dread.

The ensemble includes Emma Stone as Louise Cross, the sheriff’s disillusioned wife, and Austin Butler as Vernon Jefferson Peak, a charismatic cult leader who fuels the town’s spiritual confusion. As misinformation and mistrust take root, Eddington becomes a chilling microcosm of America in crisis.

Glimpses of news clips, protests, and political speeches ground the drama in historical reality—from lockdown measures to election anxiety. Aster’s filmmaking resists spectacle, opting instead for quiet dread and internal collapse. With muted dialogue, long silences, and mounting psychological pressure, Eddington trades shootouts for standoffs and delivers a uniquely claustrophobic portrait of a country at war with itself.

The film opens in theaters July 18 ahead of a wider A24 rollout.

The official trailer for Project Hail Mary, directed by Phil Lord and Christopher Miller, offers a gripping glimpse into humanity’s last hope. Ryan Gosling stars as Ryland Grace, a scientist who wakes alone on a spacecraft with no memory of the mission—and the fate of Earth hanging in the balance.

Built from Andy Weir’s bestseller (The Martian), the film follows Grace as he pieces together his purpose among the stars. Brief flashes reveal a looming cosmic catastrophe and a looming alien ally that could be key to saving Earth. Scenes aboard the vessel highlight intense, claustrophobic atmosphere—rusted metal corridors, soft lighting, Gosling’s weary determination.

The trailer cleverly balances epic ambition with intimate stakes: Gosling drifting in zero gravity, executing precision experiments under pressure, and confronting the unknown. With Hans Zimmer’s score swelling in the background, the director duo blend scientific rigor and emotional resonance. Hinting at humor, sacrifice, and wonder, the footage promises a thrilling ride that’s both cerebral and cinematic.

Project Hail Mary lands in theaters on March 15, 2026—just in time to launch a year of sci-fi blockbusters.

Based on an unbelievable true story, Roofman follows Jeffrey Manchester (Channing Tatum), a former Army Ranger and struggling father who becomes a folk legend by robbing McDonald’s restaurants—through their rooftops. His unconventional methods and obsessive neatness earn him the media moniker “Roofman,” and the film leans into his bizarre duality: a meticulous thief with manners and a moral code.

Directed by Derek Cianfrance and produced by Paramount Pictures, the trailer sets the tone with muted Americana visuals, ironic needle drops, and a surreal blend of suspense and dark humor. After escaping prison, Manchester secretly lives inside a North Carolina Toys “R” Us for six months, surviving undetected as he plans his next move. But when he falls for Leigh (Kirsten Dunst), a divorced mother drawn to his quiet charm, his carefully constructed double life starts to crack.

Tatum leads with subdued magnetism, crafting a performance that’s more melancholic than manic. Dunst brings nuance to Leigh, a woman caught between trust and instinct. Pedro Pascal, John C. Reilly, and Michael Cera round out a supporting cast that adds off-kilter dimension to an already surreal true crime tale.

As the FBI closes in, the film turns into a tense, character-driven cat-and-mouse story—with flashes of Coen Brothers-style absurdity. Roofman isn’t just a heist film. It’s a meditation on loneliness, reinvention, and the ways myth can mask desperation.

Set to premiere in select theaters September 20, Roofman might just be fall’s most unlikely crowd-pleaser.

Marvel Studios has released the final trailer for The Fantastic Four: First Steps, the highly anticipated relaunch of one of its most iconic superhero teams. Arriving in theaters July 25, the film marks a cosmic reset for the franchise and introduces audiences to a younger, sharper, and more emotionally complex version of the quartet.

Directed by Matt Shakman (WandaVision), the trailer highlights a stylish origin story packed with visual flair and narrative ambition. Reed Richards (Joseph Quinn), Sue Storm (Vanessa Kirby), Johnny Storm (Rudy Pankow), and Ben Grimm (Ebon Moss-Bachrach) gain their powers not through space travel, but via an experimental gateway to another dimension—teasing multiversal connections that could tie directly into Avengers: Secret Wars.

The footage leans into character-driven storytelling: Reed’s brilliance is burdened by guilt, Sue seeks control over her identity, Johnny’s impulsive heroism masks insecurity, and Ben—“The Thing”—grapples with physical transformation and emotional isolation. All of it is set against the rising threat of Annihilus, a fan-favorite villain from the Negative Zone, brought to life with a menacing flourish.

From period-inspired production design to the synth-heavy score nodding to 1980s sci-fi, First Steps looks poised to reinvigorate the franchise by embracing both intimacy and spectacle. This isn’t just about saving the world—it’s about redefining family in a world on the edge of collapse.

The legacy of Downton Abbey reaches its final chapter as Focus Features debuts the official trailer for Downton Abbey: The Grand Finale, the concluding installment of the beloved British period drama. Returning to the grandeur of Highclere Castle, the trailer sets the stage for a sweeping conclusion filled with romance, revelations, and the enduring complexities of class and family.

Set in the early 1950s, the film finds the Crawley family grappling with a rapidly changing world while preparing for one final grand occasion—an event that will bring old secrets to light and push the family to confront what the future holds for the estate and their legacy. Michelle Dockery, Hugh Bonneville, Elizabeth McGovern, Maggie Smith (in archival form), and more reprise their roles, bringing heart and gravitas to a series that has defined a generation of period storytelling.

Director Simon Curtis (Downton Abbey: A New Era) returns behind the camera, with creator Julian Fellowes penning what appears to be a lovingly crafted farewell. From candlelit dinners to whispered confessions in marble halls, The Grand Finale trailer teases a return to form—familiar, yes, but brimming with nostalgia, elegance, and the emotional weight of saying goodbye.

Splitsville has officially entered the chat—and it’s bringing scorched-earth comedy with it. Directed by Zoe Lister-Jones, this Redband trailer unleashes a hilariously unfiltered look at love, loss, and the all-out warfare of modern relationships. Glen Powell and Samara Weaving star as a couple in the middle of a contentious split who are unexpectedly invited to an experimental reconciliation retreat. The catch? They have to survive a week of forced intimacy, intrusive group therapy, and a house full of equally dysfunctional couples… or forfeit everything in the divorce.

From tequila-fueled confrontations to therapy sessions that spiral into chaos, the trailer teases a film that blends high-concept comedy with emotional stakes. Lister-Jones—who also co-wrote—channels the spirit of Forgetting Sarah Marshall and Couples Retreat but gives it a 2025 twist: dirtier, darker, and defiantly funnier. It’s not about getting back together—it’s about figuring out how to burn it all down with style.

With an ensemble cast that includes D’Arcy Carden, Manny Jacinto, and Michaela Watkins, Splitsville looks like the breakup comedy we didn’t know we needed—one that goes for the jugular, then offers a hug.

Based on the novel by Jordan Harper, She Rides Shotgun is a brooding, emotionally-charged action thriller that follows Nate (Taron Egerton), a newly released convict forced to protect the daughter he barely knows from the gang he betrayed. When 11-year-old Polly (Ana Sophia Heger) becomes the target of a violent vendetta, Nate has no choice but to flee across the American Southwest with her riding shotgun.

Directed by Smriti Mundhra, the trailer paints a raw, dusty portrait of survival, vengeance, and reluctant redemption. Egerton’s portrayal of Nate is intense and layered, while Heger holds her own as Polly—smart, wary, and slowly discovering the truth about her father. With a pulsing score, desperate shootouts, and stolen moments of tenderness, the film promises a grounded, emotionally rich ride.

From battered motel rooms to sun-scorched highways, She Rides Shotgun delivers an intimate twist on the classic crime road movie, balancing grit with gravitas. It’s part Logan, part Midnight Special, with the kind of emotional payoff genre fans crave.