The trailer follows Sydney Sweeney’s transformation into boxing icon Christy Martin, showing her early triumphs in West Virginia and her growing reputation under the guidance of her trainer-turned-husband Jim (Ben Foster). Scenes of intense training, early victories, and public acclaim are juxtaposed with escalating personal conflict, including emotional abuse and the shocking 2010 attack that nearly ended her life. Grit, blood, and perseverance dominate as Christy fights to reclaim her identity inside and outside the ring. Premiere at TIFF; opens in theaters November 7, 2025. 

The teaser for Wake Up Dead Man: A Knives Out Mystery reveals Daniel Craig’s Benoit Blanc diving into a new, nearly metaphysical murder case set against a haunting church backdrop. Set to debut in select theaters on November 26 before streaming globally on Netflix December 12, this third chapter in Rian Johnson’s franchise trades sunny islands for stone chapels and confessions.

The story follows the sudden, inexplicable death of a charismatic priest (Josh O’Connor), whose demise inside a sealed concrete box defies logic. As Blanc narrates the “myth being constructed,” the footage hints at a darker tone, mixing spiritual intrigue with razor-sharp genre flair. With an ensemble that includes Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, and Thomas Haden Church, the mystery unfolds within a tight-knit religious community, all hiding secrets. A murder with no visible killer? Sounds like just the case for Benoit Blanc.

Rian Johnson again writes and directs, joined by longtime producing partner Ram Bergman. With a logline teasing deception in the pews and a case that seems impossible on the surface, Wake Up Dead Man aims to push the franchise into its darkest territory yet.

The official trailer captures the eerie and lyrical tone of del Toro’s long-awaited adaptation. Oscar Isaac portrays Victor Frankenstein, while Jacob Elordi appears in striking makeup as the Creature, humanized rather than grotesque. Atmospheric showcase moments include their fateful encounter, moments of isolation, and emotional improvisation rather than shock. The imagery is hauntingly beautiful—lush, operatic, and intensifying character depth over terror.

The teaser follows Simon (Brett Goldstein) and Laura (Imogen Poots), college best friends whose relationship falters after she takes a scientific test intended to reveal her true soulmate. Despite being excluded, Simon remains emotionally tethered to her. Over time, as their paths diverge and cross again, flashpoints reveal moments of longing, regret, and enduring connection. The trailer balances heartfelt intimacy and sci-fi poignancy, with chemistry that echoes classic romantic dilemmas. Written and directed by William Bridges alongside Goldstein, it threads humor, heartbreak, and emotional truth across time.

The teaser introduces Alex (Will Arnett) and Tess (Laura Dern), a married couple quietly unraveling while trying to maintain family stability. Alex, grappling with the emptiness of middle age, seeks solace and reinvention in New York’s stand-up comedy scene. Tess wrestles with her own sacrifices and evolving role. Their paths converge through candid humor, inner vulnerability, and subtle emotional fractures that interrogate what it means to grow apart—and potentially grow again. The tone fuses introspection with gentle comedy, anchored by empathetic performances and Bradley Cooper’s tender direction.

Edgar Wright’s fast-paced teaser thrusts Glen Powell into a dystopian near-future where society’s collapse has birthed a deadly televised spectacle. Desperate and blacklisted, Richards signs up for The Running Man, a brutal game where he must evade hunters for 30 days on live broadcast. With intense chases, dark humor, and stylistic flair, the trailer positions Richards as a defiant everyman fighting corrupt spectacle for survival and justice. Co-starring Josh Brolin, Colman Domingo, Michael Cera, and more, it’s a raw, faithful reboot of Stephen King’s novel with cinematic grit and commentary.

The trailer introduces Whitney Wolfe Herd (Lily James) confronting pervasive misogyny at Tinder—unwanted explicit messages go unaddressed while her concerns are dismissed. Determined, she walks away and founds Bumble, revolutionizing online dating by giving women control. With sharp dialogue, tense boardroom confrontations, and moments of personal resolve, the trailer balances emotional urgency with the spark of innovation.

The trailer opens with Sarah (Margot Robbie) and David (Colin Farrell) meeting at a wedding, and then being mysteriously guided by David’s GPS to join a “big bold beautiful journey.” Together, they pass through doors that transport them to pivotal moments from their pasts, illuminating how they became who they are—and offering a surreal chance to reshape their futures. The tone is whimsical, visually rich, and emotionally resonant, underscored by Robbie and Farrell’s heartfelt performances and Kogonada’s dreamlike direction. Featuring magical realism and evocative visuals, the trailer teases a deeply hopeful, self-reflective romance.

The teaser presents Brendan Fraser’s character adrift in Japan, drawn into Tokyo’s enigmatic rental family industry. Cast as stand-in roles—father, husband, brother—he initially views these assignments as “just acting.” Yet, his relationships with the clients, especially a young girl named Mia, blur the lines between performance and emotional truth. The tone combines comedic warmth with heartfelt introspection, exploring how even a fabricated bond can hold real healing.

The teaser opens with Johnson’s Mark Kerr sitting vulnerably in a doctor’s waiting room, reflecting on fighting with a soft-spoken “Absolutely not” when asked if opponents hate each other. Then come visceral fight sequences that contrast with intimate scenes: Kerr’s tense exchanges with his then-girlfriend Dawn (Emily Blunt), his climactic bout with fellow fighter Mark Coleman, and fleeting moments of tenderness—like signing an autograph and advising a fan against fighting. The trailer packs emotional weight behind a gritty aesthetic, showcasing Kerr’s highs, his personal pain, and the price of combat.

The teaser opens on Hedda (Tessa Thompson), hosting a glamorous, opulent soirée. Under the veneer of refinement, suppressed desire, manipulation, and betrayal coil tightly. As Hedda reconnects with her former paramour Eileen (Nina Hoss), along with Eileen’s partner Thea (Imogen Poots), the party unravels into sultry decadence, dark impulses, and emotional havoc. With lush visuals, cutting dialogue, and a queer spin on Ibsen’s classic, the trailer pulses with stylistic intensity.

The teaser unfolds in a poignant, liminal space where Joan (Elizabeth Olsen) wakes as an afterlife tenant confronted with an impossible romantic choice. Beside her stand Larry (Miles Teller), her devoted lifelong partner, and Luke (Callum Turner), her war-dead first love. Guiding her through this bittersweet decision are her afterlife coordinators—Anna (Da’Vine Joy Randolph) and Ryan (John Early)—who present the rules with dry humor. Delivered with emotional clarity and nostalgic charm, the trailer balances classic romantic elegance with whimsical fantasy. Quotable lines like “When eternity’s on the line, seems like nothing” deepen the emotional stakes.

The teaser introduces Marty Mauser (Timothée Chalamet) rising from obscurity in mid-century New York’s underground ping-pong scene. With swagger and sincerity, he campaigns passionately for his sport’s recognition, even pitching a custom “Marty Supreme” ball. Along the way, he charms a glamorous movie star (Gwyneth Paltrow), navigates a love triangle, and confronts doubters—including a skeptical Kevin O’Leary—while flashes of intense gameplay and surreal energy punctuate his high-stakes rise. The trailer melds nostalgic style, rom-com intrigue, and Safdie’s signature kinetic tension, all set to Alphaville’s “Forever Young.”

The red-band trailer amps up the dark comedy and raw energy: Hank (Austin Butler), a former high school baseball phenom turned bartender, is asked to watch his neighbor’s cat. That simple favor launches him headfirst into a world of gangsters, drug lords, and betrayal. Set against the gritty backdrop of the East Village, the trailer is full of tension, blood, and chaotic humor, as Hank navigates bizarre twists—escaping attacks, uncovering hidden keys, and fighting for survival in a descent that feels both absurd and urgent. The tone is a frenetic blend of dark satire and thriller, driven by grounded performances and harsh, physical reality.

The teaser follows Jeffrey Manchester (Channing Tatum), a former Army Ranger and struggling father, as he embarks on a bizarre crime spree—robbing McDonald’s restaurants by cutting through their roofs. After escaping prison, he hides undetected inside a Toys “R” Us for six months. His covert life starts to unravel when he falls for Leigh (Kirsten Dunst), a divorced mom drawn to his charm. The double life heats up into a compelling mix of suspense, heartbreak, and unexpected connection. This film is directed by Derek Cianfrance and adapts the unbelievable true story of the rooftop robber.

The teaser introduces Teddy (Jesse Plemons), a delusional beekeeper convinced that Michelle (Emma Stone), a pharmaceutical CEO, is an extraterrestrial threat. He and his cousin abduct her, shave her head, and imprison her in a bunker dubbed the “Human Resistance headquarters.” As Michelle strives to prove her humanity, the surreal tension spirals into dark comedy, disturbing horror, and satirical chaos—set against Yorgos Lanthimos’s signature off-kilter aesthetic. A twisted remix of Chappell Roan’s “Good Luck, Babe!” punctuates the delirium.

The trailer spotlights Jeremy Allen White as Bruce Springsteen in 1982: a frustrated star who steps away from fame to quietly record Nebraska in his bedroom. The raw, acoustic footage—complete with White’s unpolished vocals and guitar—captures isolation, emotional imperfection, and fierce creative honesty. The mood is introspective, stripped of spectacle, echoing the album’s melancholic tone throughout the narrator-less visuals.

The red-band teaser opens with high-octane urgency: Edie (Samara Weaving), once a teen escape driver, is dragged into one last heist to help her unstable ex. This version pulls no punches—much blood, gritty language, and raw tension paint a messy, emotionally charged journey. Amid roaring engines and tense confrontations, Edie’s moral limits blur as loyalty, regret, and danger collide in steamy, unfiltered fashion.

The teaser introduces Ellen (Diane Lane) and Paul (Kyle Chandler) celebrating a milestone anniversary, only to have their world shaken when their son Josh’s girlfriend Liz (Phoebe Dynevor) appears. Liz, a former student with extremist leanings, stirs suspicion and tension within the family. Overlaying it all is a haunting rendition of “Don’t Dream It’s Over,” setting the stage for a domestic fracture that mirrors national unrest. The trailer layers emotional undercurrents, ideological conflict, and a looming sense of something bigger than just one family.

The trailer opens two years after UBA and NBN have merged into UBN. Alex and Bradley confront a fractured newsroom grappling with misinformation, elite power plays, and digital manipulation. Tensions mount amid cryptic dialogue and uneasy alliances. New antagonists surface—FBI raids, identity threats, and blurred truths—while iconic figures like Marion Cotillard, Jeremy Irons, William Jackson Harper, and Boyd Holbrook join the ensemble, raising the stakes in this emotionally volatile power drama.

The teaser reveals Daniel Day-Lewis as Ray Stoker, a solitary figure living in the remote woods of Northern England. His quiet life is disrupted when his brother (played by Sean Bean) appears—forcing a reunion that peels back layers of trauma, estrangement, and unspoken violence. The tone is contemplative and emotionally crushing, emphasizing mood over spectacle. Co-written by Day-Lewis alongside his son Ronan—who also signs his feature directorial debut—Anemone marks Day-Lewis’s return to the screen and invites reflection on legacy, guilt, and family redemption.